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UCR Arts Exhibition Examines Architecture and Painting

A new exhibition heading to UCR Arts invites viewers to contemplate the distinctions between architecture and painting.

Kevin Appel’s paintings explore the relationship between architecture and the painted image. Using photographs of tangled rebar as a ground on which to build his painting, he applies layers of paint that act as screens, compressing the perceived space and bringing to the forefront the inseparability of an artwork’s medium and the final image.


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First Glimpse: Introducing The Buck Collection at the UCI Institute and Museum for California Art

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First Glimpse: Introducing The Buck Collection at the UCI Institute and Museum for California Art

Curated by Kevin Appel, Stephen Barker, and Cécile Whiting
On View: September 29, 2018 – January 5, 2019
Opening Reception: September 29, 2:00 – 5:00 p.m.

IRVINE, Calif. (August 24, 2018) – The UCI Institute and Museum for California Art will host a ‘First Glimpse’ of The Buck Collection – an exquisite but long hidden collection of California art – at the UCI Claire Trevor School of the Arts.

“The First Glimpse exhibition will unveil this astonishing collection of California art and shed light on its mysterious collector, Gerald Buck,” said Stephen Barker, Executive Director of the UCI Institute and Museum for California Art. “This is also the first step in a larger project – creating a


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Ella de Búrca's FLAT AS THE TONGUE LIES bids sound, text, kinetic sculpture and video

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UC IRVINE’S CLAIRE TREVOR SCHOOL OF THE ARTS PRESENTS FLAT AS THE TONGUE LIES, A SOLO EXHIBITION BY ELLA DE BÚRCA

IRVINE, Calif. – UC Irvine’s Room Gallery is pleased to present new works by Ella de Búrca in her first U.S. solo exhibition Flat As The Tongue Lies, as a part of the University Art Galleries (UAG) Emerging Artist Series. The exhibition will open Saturday, September 29, 2018, with a reception from 2:00 – 5:00 p.m.

In Flat As The Tongue Lies, Ella de Búrca presents an installation of sound, text, kinetic sculpture and video. Using the structure of a three-act play, the installation explores the formation of meaning through reading, writing, and speech. The exhibition begins with Prelude, a sound piece that echoes the artist’s voice, leading you through a


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14 Art World “Bad Boys” Whose Macho Work Was Impossible to Ignore

At the height of Performance Art, University of California Irvine student Chris Burden asked a friend to shoot him in the arm with a .22 rifle. He titled the action Shoot (1971). The friend was supposed to just graze the artist’s skin. Instead, the bullet passed straight through. (Two years later, Burden would stage a second gun-related art outing; he went to LAX and shot at a plane flying overhead, calling the performance 747.)


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Simon Penny publishes " Making Sense: Cognition, Computing, Art, and Embodiment"

Making Sense: Cognition, Computing, Art, and Embodiment By Simon Penny. Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing.


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