Upon completing his Master of Fine Arts degree at the California institute of the Arts, Coolidge received a postgraduate DAAD fellowship for one year of study with Bernd Becher at the Kunstakademie Düsseldorf. His work has since been involved with reconciling a concern with the formal properties of photographs (scale, materiality, presentation) with the character of subjects that comprise the physical and conceptual armature that make such pictorial representations meaningful. He has taught photography and studio art at Otis College of Art, UCLA, USC, and the California Institute of the Arts. Coolidge's artwork includes seven photographic series'; Coal Seam Bergwerk Prosper-Haniel, Garage Pictures, Safetyville, Central Valley, Mattawa, Drawbridges and Street Furniture, and the photographic installations Observatory Circle, Accident Investigation Site, and Wall of Death.
His most recent solo exhibition, at Peter Blum Gallery in New York featured images of a coal seam in the last remaining operational coal mine in Germany. Among the group exhibitions he has participated in are Der Rote Bulli, NRW-Forum, Düsseldorf, Germany, Elsewhere, Carnegie Museum of Art; Stills, Walker Art Center, Minneapolis; Defamiliar, Regen Projects, Los Angeles; Sightings, Institute for Contemporary Art, London; The Campaign Against Living Miserably, Royal College of Art, London; L.A. or Lilliput, Long Beach Museum of Art; Tomorrow Forever-Photography as Ruin, Kunsthalle Krems, Austria; Made in California 1900-2000, Los Angeles County Museum of Art; Flight Patterns, Museum of Contemporary Art, Los Angeles; New Settlements, Nikolaj Contemporary Art Center, Copenhagen, Denmark; Trade, Fotomuseum Winterthur, Switzerland; First the Artist Defines Meaning, Kunsthalle Graz, Austria; and Eloi: Stumbling Towards Paradise, California Museum of Photography, Riverside. His work is in a number of institutional collections, including the Metropolitan Museum of Art, New York, NY, the Albright-Knox Museum, Buffalo, NY, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum, New York, NY, the Baltimore Museum of Art, the Orange County Museum of Art, Newport Beach, California, the Lannan Foundation, Santa Fe, New Mexico, the Los Angeles County Museum of Art, the Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS, the Museum of Contemporary Art, Los Angeles, the Henry Art Gallery, Seattle, WA and the Art Gallery of New South Wales, Sydney, Australia.
Critical surveys of his work can be found in X-TRA Fall 2014 ("Angel of History, or Canary in the Coal mine?", by Jan Tumlir), Camera Austria 76, 2001 ("Miles Coolidge," by Nadja Rottner) and Frieze, January/February 1999 ("Nowheresville," by Helen Molesworth). Online documentation of his artwork can be found at http://milescoolidge.net/
Education
1993-4 Kunstakademie Düsseldorf, class of Bernd Becher (postgraduate fellowship)
1992 California Institute of the Arts, Department of Photography, M.F.A.
1986 Harvard University, A.B., Visual and Environmental Studies
Solo Exhibitions and Two-Person Exhibitions
2016 Peter Blum Gallery, New York, NY
Chemical Pictures, ACME., Los Angeles, CA
Photographs and Chemical Pictures, Franz Josef Albers Museum Quadrat, Bottrop, Germany
2015 Coal Seam redux, kunstwerden, Essen, Germany
Coal Seam, Bergwerk Prosper-Haniel, NADA Art Fair, New York, NY (curated solo booth/ACME)
2014 ACME, Los Angeles
Safetyville (selection), ACME, Los Angeles
2013 Double Helix (with Amy Russell), Jose Druidus-Biada Gallery, Mount St. Mary's College, Los Angeles, CA
Josh Peters & Miles Coolidge, Huge, Los Angeles
2011 ACME, Los Angeles
2008 Street Furniture, ACME, Los Angeles
2007 Wall of Death, Casey Kaplan, NY
2006 ACME, Los Angeles, CA
2005 Drawbridges, Galerie Ilka Brie, Bordeaux, France
2004 Mound Postcard Posters, Harwood Museum of Art, Taos, New Mexico
Drawbridges, Galerie Lisa Ruyter, Vienna, Austria
2003 Drawbridges, ACME, Los Angeles, CA
Drawbridges, Casey Kaplan Gallery, New York, NY
2002 Observatory Circle, Galerie Gisela Capitain, Cologne, Germany
Traffic, ACME, Los Angeles, CA
2001 Ulrich Museum of Art, Wichita, KS
ACME, Los Angeles, CA
2000 Mattawa, Casey Kaplan, New York, NY
Central Valley, Orange County Museum of Art, Newport Beach, CA
Galerie Jennifer Flay, Paris, France
1998 Central Valley, Casey Kaplan, New York, NY
Central Valley, ACME, Los Angeles, CA
James Van Damme Gallery, Brussels, Belgium
Moundbuilders’ Golf Course, ACME, Los Angeles, CA
1996 Elevator Pictures, Casey Kaplan, New York, NY
Garage Pictures, ACME., Santa Monica, CA
Garage Pictures, Casey Kaplan, New York, NY
Safetyville, ACME., Santa Monica, CA
1994 Elevator Pictures, Los Angeles Center for Photographic Studies, Hollywood, CA
1992 In Its Place, Main Gallery, California Institute of the Arts, Valencia CA
Group Exhibitions
2016 Things Themselves, Vernon Gardens, Vernon, CA (curated by Zully Adler)
Passages, ACME, Los Angeles
Some Lifestyle Options, Richard Telles Fine Art, Los Angeles, CA (curated by Jan Tumlir)
2015 Reconstructions; Recent Photographs and Video from the Met Collection, The Metropolitan Museum of Art, New York
2014 20 Years of ACME, ACME, Los Angeles
Road Trip: Photography of the American West from the Los Angeles County Museum of Art, Musée des Beaux-Artes de Bordeaux, Bordeaux, France
American Scene Photography, NSU Museum of Art, Fort Lauderdale, FL
2013 Symbolic Landscape, University Art Gallery, UC Irvine, Irvine, CA
Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA
2012 Making Sense, Art Gallery of New South Wales, Sydney, Australia
2011 WP9, Night Gallery, Los Angeles
2010 Reflection: 15 Years, Casey Kaplan Gallery, New York, NY
Der Rote Bulli, NRW-Forum Düsseldorf, Germany [catalogue]
2009 Surface Tension: Contemporary Photographs from the Collection, The Metropolitan Museum of Art,
New York, NY
2008 Lure, Galerie Frank Elbaz, Paris, France
Los Angeles Now, Las Vegas Art Museum
2007 Sweet Bird of Youth, World Class Boxing, Miami, FL
Visiting Faculty Exhibition, Carpenter Center for the Visual Arts, Harvard University,
Cambridge, MA
Been Up So Long It Looks Like Down to Me, Presentation House Gallery, Vancouver, BC
Art in America Now, Shanghai Museum of Art, China
Eloi: Stumbling Towards Paradise, California Museum of Photography, Riverside, CA
Imaging + Imagining California, Orange County Museum of Art, Newport Beach, CA
Re-SITE-ing the West: Contemporary Photographs from the Permanent Collection, Los Angeles County
Museum of Art, Los Angeles, CA
From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles
Now Is the Winter, Projekt Fabrika, Moscow, Russia
Hidden in Plain Sight: Contemporary Photographs from the Collection, Metropolitan Museum of Art,
New York, NY
2006 First the Artist Defines Meaning, Kunsthaus Graz, Graz, Austria
Modern Photographs from the Collection, Metropolitan Museum of Art, New York
Studio City, Tal Esther Gallery, Tel Aviv, Israel
Studio City, Pascali & Sprovieri, London, England
Artists of a Class, Dunster House, Harvard University, Cambridge, MA
2005 The Party, Casey Kaplan Gallery, New York, NY
2004 H2O, Sam Francis Gallery, Crossroads School, Santa Monica, CA
31+ flavors, Antai Gallery, Los Angeles, CA
Zeme-Krajina/Land-Landschaft, rkouske kultirni forum, Prague
2003 ACME @ Inman, Inman Gallery, Houston, TX
Moving Pictures, Guggenheim Museum, Bilbao, Spain (catalogue)
Sightseeing: Austrian Triennial of Photography, Graz, Austria (catalogue)
Imperfect Innocence, Contemporary Museum, Baltimore, Maryland, & Palm Beach
Institute of Contemporary Art, Florida (catalogue)
Conversations, Museum of Contemporary Art, Los Angeles
incidence urbaine, Galerie Beaumontpublic, Luxembourg
Miles Coolidge, Kevin Hanley, Darcy Huebler, & Aaron Morse, ACME,
Los Angeles
Only Skin Deep, International Center of Photography, NYC (online)
2002 Moving Pictures, Guggenheim Museum, New York,, NY (catalogue)
Majestic Sprawl, Pasadena Museum of Contemporary Art, Pasadena, CA
Out of Place: Contemporary Art and the Architectural Uncanny,
MCA, Chicago, Samuel P. Harn Museum, University of Florida (catalogue)
Global Address, USC Fisher Gallery, University of Southern California, Los
Angeles, CA
New Acquisitions, New Work, New Directions 3: Contemporary Selections,
Los Angeles County Museum of Art, L.A., CA
Faculty Exhibition, University Art Gallery, University of California at Irvine, CA
Strolling Through an Ancient Shrine and Garden, co-curated by Chip Tom and
ACME., ACME., Los Angeles, CA
2001 The Wedding Show, Casey Kaplan 10-6, New York
Trade, Fotomuseum Winterthur, Switzerland and Nederlands Foto Insituut, Rotterdam (catalogue)
not a theme show, Pittsburgh Center for the Arts, Pittsburgh, PA
Phigment, Irvine Fine Arts Center, Irvine, CA
New Settlements, Nikolaj Contemporary Art Center, Copenhagen, Denmark
OUTLOOK earth scaped, Sam Francis Gallery, Santa Monica, California
2000 Flight Patterns, Museum of Contemporary Art, Los Angeles, CA (catalogue)
Made In California 1900-2000, Los Angeles County Museum of Art, L.A., CA
(catalogue)
Beyond Boundaries: California Contemporary Photography, University Art
Museum, CSLUB, Long Beach, CA (Traveled to the Santa Barbara
Contemporary Arts Forum, Santa Barbara, CA and the Friends of
Photography, San Francisco, CA)
escape space, Ursula Blickle Stiftung, Kraichtal-Unterowisheim,
Germany (catalogue)
Unapocalyptic: The Future That Never Was, USC Fisher Gallery,
University of Southern California, Los Angeles, CA
SUPERMODEL, MASS MoCA, North Adams, MA
1999 C.O.L.A. Individual Artist Grants 1999, Los Angeles Municipal Art Gallery, Los Angeles, CA
Photography: An Expanded View-Recent Acquisitions, Guggenheim Museum, New York, and Guggenheim Museum, Bilbao, Spain
Tomorrow Forever-Photography as Ruin, Kunsthalle Krems, Krems, Austria
(catalogue)
Sliding Scale, SECCA, South Carolina
1998 L.A. or Lilliput?, Long Beach Museum of Art, Long Beach, CA (catalogue)
Thinking Aloud, Kettles Yard, Cambridge, UK
Jeff Burton, Miles Coolidge, Annika von Hausswolf, Jonathan Monk, Karen
Yasinsky, Casey Kaplan, New York, NY
pop surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT
(catalogue)
Urban Landscapes; Miles Coolidge, Marin Kasimir, Katja Liebman, Steven Pippin, Victoria Miro, London, UK
LA On Paper 2; Fantastic Matter of Fact, Galerie Krinsinger, Vienna, Austria
(Co-curated by 3 Day Weekend)
The Campaign Against Living Miserably, Royal College of Art, London, UK
Sightings, Institute of Contemporary Art, London, UK (catalogue)
Picturing Modernity:Selections from the Permanent Collection, SFMOMA, San Francisco, CA
Landscapes, Meyerson & Nowinski, Seattle, WA
June/July, Casey Kaplan, New York
1997 Stills, Walker Art Center, Minneapolis, MN (publication)
Vaknin Schwartz, Atlanta, GA
Rena Bransten, San Francisco, CA
Elsewhere, Carnegie Museum of Art, Pittsburgh, PA
Transport, Post, Los Angeles, CA
Angel Hair, Dogenhaus Galerie, Leipzig, Germany
The Big Picture: Recent Acquisitions in Photography, Albright-Knox Art Gallery, Buffalo, NY
World Speak Dumb, Karyn Lovegrove, Melbourne, Australia
Defamiliar, Regen Projects, Los Angeles, CA
1996 The Lie of the Land, University Art Museum, UC Santa Barbara
Location, Location, Institute of Contemporary Art, San Jose, CA
Skin Deep, Thomas Solomon’s Garage, Los Angeles, CA
Left of Center: New Art from L.A., 10 in 1 Gallery, Chicago, IL
1995 Hollywood Boulevard Is Sinking, Three Day Weekend, Los Angeles
Redevelopment, Victoria Room, San Francisco, CA
Late Photography, Food House, Santa Monica, CA
1994 Rundgang Kunstakademie Düsseldorf, Dusseldorf, Germany
1993 LACPS Members’ Exhibition, Santa Monica Museum, Santa Monica, CA (curated
by Ann Goldstein)
Selected Bibliography
2016 Miller, Nicolas J., “Things Themselves at Vernon Gardens”, Miller, Nicolas J., Contemporary Art Review.la, October 5, 2016
2015 Schwendener, Martha. “Review: Metropolitan Museum Looks at Photos That May Last”, New York Times,
December 31, 2015
2014 Tumlir, Jan. "Angel of History, or Canary in the Coal Mine", X-TRA, Fall 2014
Knight, Christopher. "Miles Coolidge Digs for Meaning", Los Angeles Times, January 31, 2014
Harcourt, Glenn. "Miles Coolidge at ACME./Los Angeles”, March 2014 (illustration)
Hudson, Suzanne. "From Landscape to Lacan; On 'The Symbolic Landscape: Pictures Beyond the Picturesque'", Texte Zur Kunst, March 2014
2011 Knight, Christopher. "Monuments to a Modern Blueprint", Los Angeles Times, June 10 2011
(illustration)
2010 Storm, Brian. "Familie Becher", Kraut: Magazin Für Angewandte Kultur, pp. 18-19, Issue #1
2009 Coolidge, Miles. "Response to Abstracting Photography", Words Without Pictures, pp. 320-323, Alex Klein,
ed., Museum Associates/LACMA, Los Angeles, 2009
2008 Knight, Christopher. "A Surprising Slant on Street Trash", Los Angeles Times, January 25 2008
2007 Valdez, Sarah. "Miles Coolidge at Casey Kaplan", Art in America, October 2007
Shier, Reid (ed.), Been Up So Long it Looks Like Down to Me [Exhibition Catalogue], Presentation House Gallery, North Vancouver, B.C. (color illustrations)
Kung, Samuel (ed.), Art In America Now [Exhibition Catalogue], Museum of Contemporary Art, Shanghai (color illustration)
Coggins, David. "Miles Coolidge", Time Out New York, February 8-14, 2007, Issue 593, p.76
Chernisheva, Veronika. "Contemporary Art is Gradually Becoming Apolitical", Nezavisimaya Gazeta [The Independent Newspaper, Moscow], June 1, 2007.
Lindberg, Anna. "Winter Depression," Utro, Moscow, June 6, 2007.
2006 Schmidt, Collette M., "Zuert vermisst der Künstler den Raum", Der Standard, Wien, 11. Juli 2006
Titz, Walter. "Idyll und Bittere Fallstudie", Kleine Zeitung, Wien, 7 August 2006
O’Reilly, Sally, “Studio City,” Frieze, Issue 100, June-July, 2006.
Sumpter, Helen. "Studio City", Time Out (London), March 29- April 5, 2006
2005 [editorial:staff]. “An Uplift in Downtime”, Newsday, August 28, 2005
2004 Coetzee, Mark. Not Afraid: The Rubell Family Collection, Phaidon (color
illustrations)
Cotton, Charlotte. Contemporary Art Photography , Thames &
Hudson (color illustration)
Collins, Tom. "Edifice Complex", Albaquerque Journal, January 16 (illustrations)
Lubbke-Tidow, Maren. "Dead End: Miles Coolidge", Camera Austria, June, 2004
(color illustration)
Randall, Teri Thomson. "Mounds of Time", Pasatiempo [Santa Fe, NM],
Jan. 30-Feb. 5, (color illustrations)
2003 Dennison, Lisa, Spector, Nancy, Young, Joan. Moving Pictures (catalogue;
color illustrations)
Dennison, Lisa, Spector, Nancy, Young, Joan. Imagenes En Movimiento
(catalogue supplement, color illustrations)
McGinty, Miko. Imperfect Innocence (catalogue; color illustrations)
Fenz, Werner. SIGHTSEEING, Graz, Austria (catalogue; color illustrations)
Coolidge, Miles "Hauptplatz Graz", Kleine Zeitung [Graz, Austria], Monday,
January 20 (artwork for publication)
Beshty, Walead. "Notes on the Subject Without Qualities", Afterall #8
Knight, Christopher, "Stopped in the Face of Progress", Los Angeles Times,
October 3, 2003 (illustration)
Wilson, Michael. "Reviews. Miles Coolidge: Drawbridges", Contemporary, Issue
49 (color illustration)
Cassidy, Keith. "Airport Landscapes", Miami Herald, March 19
Colombo, Paola. "sight.seeing", tema celeste [Italy], January
Titz, Walter. "Andere Wege durch die Kulturhaupstadt", VIA (Austria), #1
(color illustration)
Sver, Heimo. "Ansichten von Stadt- und Kunstorpern", Die Steirische (Graz,
Austria), January 25 (color illustration)
2002 Kertess, Klaus. Photography Transformed; The Metropolitan Bank and Trust
Collection, Abrams, (color illustration)
Martin, Victoria. “’Global Address’ at USC Fisher Gallery”, Artweek, April
Steinman, Eric. "Think Globally, Art Locally", Los Angeles Downtown News,
March 18
Museum of Contemporary Art, Chicago. Out of Place (catalogue; color illustrations)
2001 Rottner, Nadja. "Miles Coolidge", Camera Austria, 76 (critical survey, color
illustrations)
Seelig, Thomas (ed.). Trade (catalogue: color illustrations)
Lapp, Karl-Iversen. "Und alles endet im Mull", Zurichsee Zeitung, July 3
Colpitt, Frances. "Miles Coolidge at Acme", Art in America, October
Rehm, Emma. "Not a Theme Show", The Tartan [Pittsburgh], August 27
Thomas, Mary. "No theme, nothing routine", Pittsburgh Post-Gazette, June 30
Winn, Alice. "Mind Over Matter", A & E; Pittsburgh City Paper, August 1- 8
Kern, Kristine. "Kritisk Kunst", Politiken (Denmark), March 31
Kern, Kristine. "New Settlements", Nordic Art Review, vol. III, no. 3-4/01
Misfeldt, Af Mai. "Nye mader at bebo verden", Berlingske Tidende, April 10
News: Copenhagen. "New Settlements @ the Nikolaj", Flash Art, May-June, 2001 (illustration)
Laird, Tessa. "Flight Patterns", LIKE, Art Magazine (New Zealand), No. 14,
Autumn
Hilger, Stephen. "L.A. Confidential", artnet magazine (on line), 4/30
2000 Emerson, Stephanie (ed.). Flight Patterns (catalogue; color illustrations)
Friends of Photography, beyond boundaries (catalogue; color illustration)
Ursula Blickle Stiftung, escape_space (catalogue; color illustrations)
Gavlak, Sarah. "Miles Coolidge, 'Mattawa'", Time Out, New York, October 5-12
Coolidge, Miles (photographs) & Beachy, Stephen (text). "Leaving Trains",
Nest, Summer
Rottner, Nadja. "Miles Coolidge", NY ARTS, September
Guerrin, Michel. "La photographie déplace le fiction", Le Monde, March 26
Pagel, David. "'Flight Patterns'" Ventures Far", Los Angeles Times, November 23
(illustration)
Myers, Holly. "Horizons", LA Weekly, Dec. 22-28
Exley, Roy. "Distant Landscapes", contemporary visual arts, issue 27 (illustration)
Johnson, Ken. "Art Guide: Miles Coolidge", New York Times, September 29
Bonnetti, David. "Dark views of battered landscape in L.A. show", San Francisco
Examiner, November 16
Muchnic, Suzanne. "She's Trying to Reorient L.A.'s Compass", Los Angeles Times;
Calender, November 12
[staff], "Pacific Rim Artists", American Minority Review, Fall 2000
Barroero, Samantha "Miles Coolidge at Jennifer Flay Gallery", NART Webzine,
September 11
1999 ZOO, Purple House Ltd., London, England, issue 1, March
CAA foundation, Themes Out of School (catalogue; color illustration)
Aigner, Karl (ed.), Tomorrow For Ever, (catalogue; color illustrations)
Molesworth, Helen. "Nowheresville", Frieze, January/February (critical survey,
color illustrations)
Stills: Emerging Photography in the 1990’s, Walker Art Center, Minneapolis,
MN (catalogue; illustration)
Butler, Connie. "West of Everything", Parkett, no. 57
Koop, Stuart. “World Speak Dumb”, Art & Text, August-October
Hennessey, Deborah. “Art Lover’s Lost Highway”, Broadsheet, Vol. 26, No.2
McGovern, Thomas. "Riding the Beast", afterimage, July/August
Newhall, Edith. "Preview: Art/Photography", New York, September 14
Patterson, Tom. "Micro to Macro", Winston-Salem Journal, Feb. 21
Knight, Christopher. "Publicly Funded Art Rises to the Challenge", Los Angeles
Times, June 4
Boxer, Sara. "The Guggenheim Sounds the Alarm", New York Times, March 19
Gronert, Stefan. Grosse Illusionen,, Kunstmuseum Bonn p.16 (illustration)
1998 Institute of Contemporary Art, Sightings: New Photographic Art, London,
England .(catalogue)
Darling, Michael. L.A. or Lilliput? (catalogue; color illustration)
Aldrich Museum of Art, pop surrealism (catalogue: color illustration)
Haines, Gordon. "Miles Coolidge", Art Issues, November/December (illustration)
Smith, Roberta. "Miles Coolidge", The New York Times, September 18
Pagel, David. "The Long View", The Los Angeles Times, September 11
Todd-Raque, Susan. "Tableaux: Ten Contemporary Photographers", Art Papers,
March-April
Currah, Mark. "'Campaign Against Living Miserably", Time Out [London], May 13
Fogle, Douglas. "Stills", Camera Austria, no. 62/63
Updike, Robin. "Beyond Pretty Scenery", Seattle Times, January 15
Baltin, Brian. "Small Is Psychedelic", LA Weekly, Nov. 27- Dec. 3
Doove, Edith. "Personlijkheid zonder mensen", De Staandard (Antwerp, Belgium),
April 1
Holthof, Marc. "onwezenlijk", Weekend knack, (Brussels, Belgium) March 25
Vuegen, Christine. "Onthullende fotos", De Huisarts (Belgium), March 18
Wilson, William. "'Lilliput': Small Art in the Big City of L.A.", Los Angeles Times,
Dec.
Wilson, William. "Sweating the Small Stuff", Los Angeles Times (O.C. edition),
Dec. (illustration)
1997 Magnan, Kathleen. “Space Probes”, World Art, May (critical survey, color
illustrations)
Kim, Soo Jin. “Some Models”, X-Tra, Spring
Solin, Alison Lee. "The Lie of the Land", The Independent [Santa Barbara], January
9 (illustration)
Shearing, Graham. "Exhibit takes viewers 'Elsewhere'", Tribune-Review
[Pittsburgh], Oct. 17
Miller, Donald. "Models create another reality", Pittsburgh Post-Gazette, Oct. 17
Hennessey, Deborah. "Art Lover's Lost Highway", Broadsheet, vol. 26, no. 2
1996 Coolidge, Miles. "Central Valley,” Art & Design #51: Art and the Home, London,
England, November (artwork for publication)
Shales, Ezra, “Miles Coolidge at Casey Kaplan”, Review, December 1
Cash, Stephanie. “Miles Coolidge at Casey M. Kaplan”, Art in America, October
Darling, Michael. “Miles Coolidge.”Art Issues, March/April
Wilk, Deborah. “Reviews: Left of Center.”New Art Examiner, March
Aletti, Vince. “Deep House.” Village Voice, March 19
Camper, Fred. “Seeing is Deceiving.”Chicago Reader, February 9
Auerbach, Lisa. “Safety in Pictures.”Los Angeles Reader, January 19
[staff], "La-La Land", The New Yorker, Feb. 17
Connelly, John. "Miles Coolidge", THINGREVIEWS, February 29
Servetar, Stuart. "Galleries Downtown", New York Press, February 21-27
Zoon, Cees. "New York", de Volkskrant [Amsterdam], March 1
Stein, Lisa "Ten In One Gallery", Chicago's New City, February 18
Young, Peter. "Parking Structuralism", Buzz Weekly, Sept.13-Sept. 19
Scarborough, James. "New Art From Los Angeles", artpress, April
1988 The Affordable Housing Challenge (with Ann Gelbspan), Boston Society of
Architects, Boston MA
Collections:
Institutional: Metropolitan Museum of Art, New York, NY
Albright-Knox Museum, Buffalo, NY
San Francisco Museum of Modern Art
Solomon R. Guggenheim Museum, New York, NY
Whitney Museum, New York, NY
Baltimore Museum of Art
Orange County Museum of Art, Newport Beach, California
Lannan Foundation, Santa Fe, New Mexico
Los Angeles County Museum of Art
Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS
Museum of Contemporary Art, Los Angeles
Henry Art Gallery, Seattle, WA
Art Gallery of New South Wales, Sydney, Australia
Pérez Art Museum Miami, Miami, FL
Weatherspoon Art Museum, Greensboro, NC
Santa Barbara Museum of Art, Santa Barbara, CA
