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Jennifer Bornstein joins the UCI Art faculty

The Department of Art is very pleased to announce the newest addition to the faculty, Jennifer Bornstein.

Recognized professionally by awards such as the Foster Prize (Institute of Contemporary Art, Boston), a Radcliffe Fellowship (Harvard University), and a Pollock-Krasner Foundation Award, Jennifer Bornstein is an artist with an exceptionally strong record of producing work in a variety of media associated in ways both material and conceptual with photographic processes. Bornstein is a deeply committed instructor as well, having taught extensively at such well-recognized institutions as Pasadena's Art Center College of Design, Yale University and, most recently, Harvard University, from whom she received the Harvard Bok Teaching Award for excellence in teaching.

Bornstein's international exhibition record includes solo exhibitions in highly respected venues including the Museum of Contemporary Art, Los Angeles, the Fargfabriken Center for Contemporary Art, Stockholm


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Faculty Amanda Ross-Ho in New York

Mitchell-Innes & Nash is pleased to present an exhibition of installation, sculptures, and paintings by Los Angeles-based artist Amanda Ross-Ho: MY PEN IS HUGE, on view from September 7 to October 14, 2017. The exhibition is the gallery’s third solo exhibition with the artist, and will feature an installation of works that Ross-Ho will produce on-site at the gallery during the month of August including fabricated, oversized objects, and a series of paintings based on works on paper created over the past year.

Ross-Ho’s distinctive and diverse practice broadly engages material culture and artifacts of everyday life and work. For over a decade, her work has explored the ecology of the studio as a primary subject, engaging it through close forensic examination and reflexive call and response. Past works have imported the architectural entirety of the studio into galleries and museum spaces, enacted meticulous theatrical reenactments of authentic activity, and systematically


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University Art Gallery Catalogues for sale online!

The University Art Gallery (UAG) is now offering a collection of catalogues for sale though its website. The collection currently includes Ed Moses: Cross-Section (2015) and will feature the upcoming Aztlán to Magulandia: The Journey of Chicano Artist Gilbert ‘Magu’ Luján (2017) this Fall.

 

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ED MOSES: CROSS-SECTION
Essays by Kevin Appel, Juli Carson and Barbara Rose 
Edited by Juli Carson
Published by © 2015 University Art Gallery, UC Irvine Ed Moses: Cross-Section traces the common thematic thread binding Moses’s prolific and continuous act of exploration through painting, from the 1960s to present. In so doing, the philosophical continuity of the artist’s disparate visual strategies are framed, strategies the artist has repeated and contradicted, as his investigation into the painted form has changed direction or reversed course over the past five decades. Featuring dynamic color plates of the work and


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Professor Daniel Joseph Martinez participating in HOME - So Different, So Appealing at LACMA

Daniel Joseph Martinez will be participating in HOME - So Different, So Appealing: Art from the Americas since 1957 at the Los Angeles County Museum of Art. Organized in collaboration with the Museum of Fine Arts, Houston, HOME - So Different, So Appealing features U.S. Latino and Latin American artists from the late 1950s to the present who have used the deceptively simple idea of "home" as a powerful lens through which to view the profound socioeconomic and political transformations in the hemisphere. 

Martinez will be represented by two monumental and involving sculptural installations: The House that America Built (2004/2017) and the west bank is missing, i am not dead, am i (2008/2017). 

HOME - So Different, So Appealing is organized by the UCLA Chicano Studies Research Center; the Los Angeles County Museum of Art; and the Museum of Fine Arts, Houston and curated by Chon Noriega, Director, UCLA Chicano Studies Research


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FADA (Film-Arts-Drama Alliance) club produces "Zot Zot Land" to celebrate the Arts at UCI

Watch the Behind the Scenes Film -> https://youtu.be/lfAVKM4kU70

Arts students from University of California, Irvine came together to put their spin on La La Land's "Another Day of Sun!" 80+ students and mentors were involved in the film project that included newly recorded instrumentals, vocals, lyrics, along with new choreography.  The film was produced by the Film-Arts-Drama-Alliance (FADA) at UCI specifically for the 18th annual Zotfest film festival at UCI.  The team wanted to create a "Soft Opening" film that would unite the students together for one large project. With the teamwork from Paper Sketch Media, FADA, and UCI Illuminations, they were able to pull resources together to bring the project "Zot Zot Land" to life! Filmmakers, Designers, Singers, Dancers,


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Rosalind Nashashibi, Featured in UAG show "On This Island" curated by Allyson Unzicker, nominated for Turner Prize

This morning, Tate Britain revealed that the four nominated artists for the 2017 Turner Prize are Hurvin AndersonAndrea BüttnerLubaina Himid, and Rosalind Nashashibi.

The jury is formed by Dan Fox, co-editor of Frieze Magazine; the art critic Martin Herbert; LUX director Mason Leaver-Yap; and Emily Pethick, director of the Showroom, London.

Like in recent years, the resulting shortlist features three women and just one man. What’s remarkable this year is that all nominees are over 40—


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Opening Reception for Heather Rasmussen & Tomory Dodge

Opening reception: Saturday, May 13, 2017, 3-6 PM

ACME. is pleased to present a solo exhibition of new works by Los Angeles based artist Heather Rasmussen. Included in the show are recent photographs, sculptures, and video. Greatly influenced by Hans Breder, Ujj Zsuzsi and Rene Magritte in this new body of work, Rasmussen remade one of each of their pictures, in order to walk in their footsteps. From this recitation of surreal and visceral images, Rasmussen was able to develop new forms and methods in her studio for her current photographs and sculptures. Rasmussen relays through photographs and sculptures her interest in what it is to have a body as a woman and as a dancer, and what it is to live among a messy accumulation of things. She choreographs scenes using her own body, plaster casts of her legs and feet, oddly shaped vegetables, and collection of possessions that are loaded with personal and historical meaning. The objects shift between apparent states of movement,


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