Miles Coolidge

Upon completing his Master of Fine Arts degree at the California institute of the Arts, Coolidge received a postgraduate DAAD fellowship for one year of study with Bernd Becher at the Kunstakademie Düsseldorf. His work has since been involved with reconciling a concern with the formal properties of photographs (scale, materiality, presentation) with the character of subjects that comprise the physical and conceptual armature that make such pictorial representations meaningful. He has taught photography and studio art at Otis College of Art, UCLA, USC, and the California Institute of the Arts. Coolidge's artwork includes seven photographic series'; Coal Seam Bergwerk Prosper-Haniel, Garage Pictures, Safetyville, Central Valley, Mattawa, Drawbridges and Street Furniture, and the photographic installations Observatory Circle, Accident Investigation Site, and Wall of Death. 

His most recent solo exhibition, at Peter Blum Gallery in New York featured images of a coal seam in the last remaining operational coal mine in Germany. Among the group exhibitions he has participated in are Der Rote Bulli, NRW-Forum, Düsseldorf, Germany, Elsewhere, Carnegie Museum of Art; Stills, Walker Art Center, Minneapolis; Defamiliar, Regen Projects, Los Angeles; Sightings, Institute for Contemporary Art, London; The Campaign Against Living Miserably, Royal College of Art, London; L.A. or Lilliput, Long Beach Museum of Art; Tomorrow Forever-Photography as Ruin, Kunsthalle Krems, Austria; Made in California 1900-2000, Los Angeles County Museum of Art; Flight Patterns, Museum of Contemporary Art, Los Angeles; New Settlements, Nikolaj Contemporary Art Center, Copenhagen, Denmark; Trade, Fotomuseum Winterthur, Switzerland; First the Artist Defines Meaning, Kunsthalle Graz, Austria; and Eloi: Stumbling Towards Paradise, California Museum of Photography, Riverside. His work is in a number of institutional collections, including the Metropolitan Museum of Art, New York, NY, the Albright-Knox Museum, Buffalo, NY, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum, New York, NY, the Baltimore Museum of Art, the Orange County Museum of Art, Newport Beach, California, the Lannan Foundation, Santa Fe, New Mexico, the Los Angeles County Museum of Art, the Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS, the Museum of Contemporary Art, Los Angeles, the Henry Art Gallery, Seattle, WA and the Art Gallery of New South Wales, Sydney, Australia. 

Critical surveys of his work can be found in X-TRA Fall 2014 ("Angel of History, or Canary in the Coal mine?", by Jan Tumlir), Camera Austria 76, 2001 ("Miles Coolidge," by Nadja Rottner) and Frieze, January/February 1999 ("Nowheresville," by Helen Molesworth). Online documentation of his artwork can be found at http://milescoolidge.net/

 

Education            

 

1993-4   Kunstakademie Düsseldorf, class of Bernd Becher (postgraduate fellowship)

1992       California Institute of the Arts, Department of Photography, M.F.A.

1986       Harvard University, A.B., Visual and Environmental Studies

 

 

Solo Exhibitions and Two-Person Exhibitions

 

2016       Peter Blum Gallery, New York, NY

                Chemical Pictures, ACME., Los Angeles, CA

                Photographs and Chemical Pictures, Franz Josef Albers Museum Quadrat, Bottrop, Germany

2015       Coal Seam redux, kunstwerden, Essen, Germany

                Coal Seam, Bergwerk Prosper-Haniel, NADA Art Fair, New York, NY (curated solo booth/ACME)

2014       ACME, Los Angeles

                Safetyville (selection), ACME, Los Angeles

2013       Double Helix (with Amy Russell), Jose Druidus-Biada Gallery, Mount St. Mary's College, Los Angeles, CA

                Josh Peters & Miles Coolidge, Huge, Los Angeles

2011       ACME, Los Angeles

2008       Street Furniture, ACME, Los Angeles

2007       Wall of Death, Casey Kaplan, NY

2006       ACME, Los Angeles, CA

2005       Drawbridges, Galerie Ilka Brie, Bordeaux, France           

2004       Mound Postcard Posters, Harwood Museum of Art, Taos, New Mexico

                Drawbridges, Galerie Lisa Ruyter, Vienna, Austria

2003       Drawbridges, ACME, Los Angeles, CA

                Drawbridges, Casey Kaplan Gallery, New York, NY

2002       Observatory Circle, Galerie Gisela Capitain, Cologne, Germany

                Traffic, ACME, Los Angeles, CA

2001       Ulrich Museum of Art, Wichita, KS

                ACME, Los Angeles, CA

2000      Mattawa, Casey Kaplan, New York, NY

                Central Valley, Orange County Museum of Art, Newport Beach, CA

                Galerie Jennifer Flay, Paris, France

1998       Central Valley, Casey Kaplan, New York, NY

                Central Valley, ACME, Los Angeles, CA

                James Van Damme Gallery, Brussels, Belgium

                Moundbuilders’ Golf Course, ACME, Los Angeles, CA

1996       Elevator Pictures, Casey Kaplan, New York, NY

                Garage Pictures, ACME., Santa Monica, CA

                Garage Pictures, Casey Kaplan, New York, NY

                Safetyville, ACME., Santa Monica, CA

1994       Elevator Pictures, Los Angeles Center for Photographic Studies, Hollywood, CA

1992       In Its Place, Main Gallery, California Institute of the Arts, Valencia CA

 

 

Group Exhibitions

 

2016       Things Themselves, Vernon Gardens, Vernon, CA (curated by Zully Adler)

                Passages, ACME, Los Angeles

                Some Lifestyle Options, Richard Telles Fine Art, Los Angeles, CA (curated by Jan Tumlir)

2015       Reconstructions; Recent Photographs and Video from the Met Collection, The Metropolitan Museum of Art, New York

2014       20 Years of ACME, ACME, Los Angeles

                Road Trip: Photography of the American West from the Los Angeles County Museum of Art, Musée des Beaux-Artes                                 de Bordeaux, Bordeaux, France

                American Scene Photography, NSU Museum of Art, Fort Lauderdale, FL

2013       Symbolic Landscape, University Art Gallery, UC Irvine, Irvine, CA

                Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA

2012       Making Sense, Art Gallery of New South Wales, Sydney, Australia

2011       WP9, Night Gallery, Los Angeles

2010       Reflection: 15 Years, Casey Kaplan Gallery, New York, NY

                Der Rote Bulli, NRW-Forum Düsseldorf, Germany [catalogue]

2009       Surface Tension: Contemporary Photographs from the Collection, The Metropolitan Museum of Art,

                                New York, NY

2008       Lure, Galerie Frank Elbaz, Paris, France

                Los Angeles Now, Las Vegas Art Museum

2007       Sweet Bird of Youth, World Class Boxing, Miami, FL

                Visiting Faculty Exhibition, Carpenter Center for the Visual Arts, Harvard University,

                                Cambridge, MA

Been Up So Long It Looks Like Down to Me, Presentation House Gallery, Vancouver, BC

Art in America Now, Shanghai Museum of Art, China

Eloi: Stumbling Towards Paradise, California Museum of Photography, Riverside, CA

                Imaging + Imagining California, Orange County Museum of Art, Newport Beach, CA

                Re-SITE-ing the West:  Contemporary Photographs from the Permanent Collection, Los Angeles County

                                Museum of Art, Los Angeles, CA

                From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles

                Now Is the Winter, Projekt Fabrika, Moscow, Russia

                Hidden in Plain Sight: Contemporary Photographs from the Collection, Metropolitan Museum of Art,

                                New York, NY

2006       First the Artist Defines Meaning, Kunsthaus Graz, Graz, Austria

Modern Photographs from the Collection, Metropolitan Museum of Art, New York

Studio City, Tal Esther Gallery, Tel Aviv, Israel

                Studio City, Pascali & Sprovieri, London, England

                Artists of a Class, Dunster House, Harvard University, Cambridge, MA

2005       The Party, Casey Kaplan Gallery, New York, NY

2004       H2O, Sam Francis Gallery, Crossroads School, Santa Monica, CA

                31+ flavors, Antai Gallery, Los Angeles, CA

                Zeme-Krajina/Land-Landschaft, rkouske kultirni forum, Prague

2003       ACME @ Inman, Inman Gallery, Houston, TX

Moving Pictures, Guggenheim Museum, Bilbao, Spain (catalogue)

                Sightseeing: Austrian Triennial of Photography, Graz, Austria (catalogue)

                Imperfect Innocence, Contemporary Museum, Baltimore, Maryland, & Palm Beach

                                Institute of Contemporary Art, Florida (catalogue)

                Conversations, Museum of Contemporary Art, Los Angeles

                incidence urbaine, Galerie Beaumontpublic, Luxembourg

                Miles Coolidge, Kevin Hanley, Darcy Huebler, & Aaron Morse, ACME,

Los Angeles

Only Skin Deep, International Center of Photography, NYC  (online)

2002       Moving Pictures, Guggenheim Museum, New York,, NY (catalogue)

Majestic Sprawl, Pasadena Museum of Contemporary Art, Pasadena, CA

Out of Place: Contemporary Art and the Architectural Uncanny,

                                MCA, Chicago, Samuel P. Harn Museum, University of Florida (catalogue)

Global Address, USC Fisher Gallery, University of Southern California, Los

                Angeles, CA

New Acquisitions, New Work, New Directions 3:  Contemporary Selections,

                Los Angeles County Museum of Art, L.A., CA

                Faculty Exhibition, University Art Gallery, University of California at Irvine, CA

                Strolling Through an Ancient Shrine and Garden, co-curated by Chip Tom and

ACME., ACME., Los Angeles, CA

2001       The Wedding Show, Casey Kaplan 10-6, New York

                Trade, Fotomuseum Winterthur, Switzerland and Nederlands Foto Insituut,                                                                                             Rotterdam (catalogue)

                not a theme show, Pittsburgh Center for the Arts, Pittsburgh, PA

                Phigment, Irvine Fine Arts Center, Irvine, CA

                New Settlements, Nikolaj Contemporary Art Center, Copenhagen, Denmark

                OUTLOOK earth scaped, Sam Francis Gallery, Santa Monica, California

2000      Flight Patterns, Museum of Contemporary Art, Los Angeles, CA (catalogue)

Made In California 1900-2000, Los Angeles County Museum of Art, L.A., CA

                                (catalogue)

                Beyond Boundaries: California Contemporary Photography, University Art

Museum, CSLUB, Long Beach, CA (Traveled to the Santa Barbara

Contemporary Arts Forum, Santa Barbara, CA and the Friends of

Photography, San Francisco, CA)      

                escape space, Ursula Blickle Stiftung, Kraichtal-Unterowisheim,

                                  Germany (catalogue)

                Unapocalyptic: The Future That Never Was, USC Fisher Gallery,

                                  University of Southern California, Los Angeles, CA

                SUPERMODEL, MASS MoCA, North Adams, MA

1999       C.O.L.A. Individual Artist Grants 1999, Los Angeles Municipal Art                                                                                                Gallery, Los Angeles, CA

                Photography: An Expanded View-Recent Acquisitions, Guggenheim                                                                                         Museum, New York, and Guggenheim Museum, Bilbao, Spain

                Tomorrow Forever-Photography as Ruin, Kunsthalle Krems, Krems, Austria

                                                (catalogue)

                Sliding Scale, SECCA, South Carolina

1998       L.A. or Lilliput?, Long Beach Museum of Art, Long Beach, CA (catalogue)

                Thinking Aloud, Kettles Yard, Cambridge, UK

                Jeff Burton, Miles Coolidge, Annika von Hausswolf, Jonathan Monk, Karen

Yasinsky, Casey Kaplan, New York, NY

                pop surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT

                                (catalogue)

                Urban Landscapes; Miles Coolidge, Marin Kasimir, Katja Liebman, Steven                                                                                 Pippin,  Victoria Miro, London, UK

                LA On Paper 2; Fantastic Matter of Fact, Galerie Krinsinger, Vienna, Austria

                                                (Co-curated by 3 Day Weekend)

                The Campaign Against Living Miserably, Royal College of Art, London, UK

                Sightings,  Institute of Contemporary Art, London, UK (catalogue)

                Picturing Modernity:Selections from the Permanent Collection,                                                                                                  SFMOMA, San Francisco, CA

                Landscapes, Meyerson & Nowinski, Seattle, WA

                June/July, Casey Kaplan, New York

1997       Stills, Walker Art Center, Minneapolis, MN (publication)

                Vaknin Schwartz, Atlanta, GA             

                Rena Bransten, San Francisco, CA

                Elsewhere, Carnegie Museum of Art, Pittsburgh, PA

                Transport, Post, Los Angeles, CA

                Angel Hair, Dogenhaus Galerie, Leipzig, Germany

                The Big Picture: Recent Acquisitions in Photography, Albright-Knox Art Gallery,                                                      Buffalo, NY

                World Speak Dumb,  Karyn Lovegrove, Melbourne, Australia

                Defamiliar,  Regen Projects, Los Angeles, CA

1996       The Lie of the Land, University Art Museum, UC Santa Barbara

                Location, Location, Institute of Contemporary Art, San Jose, CA

                Skin Deep, Thomas Solomon’s Garage, Los Angeles, CA

                Left of Center: New Art from L.A., 10 in 1 Gallery, Chicago, IL

1995       Hollywood Boulevard Is Sinking, Three Day Weekend, Los Angeles

                Redevelopment, Victoria Room, San Francisco, CA

                Late Photography, Food House, Santa Monica, CA

1994       Rundgang  Kunstakademie Düsseldorf, Dusseldorf, Germany

1993        LACPS Members’ Exhibition, Santa Monica Museum, Santa Monica, CA (curated

                                by Ann Goldstein)

 

 

Selected Bibliography

 

2016       Miller, Nicolas J., “Things Themselves at Vernon Gardens”, Miller, Nicolas J., Contemporary Art Review.la, October 5, 2016

2015       Schwendener, Martha. “Review: Metropolitan Museum Looks at Photos That May Last”, New York Times,

                December 31, 2015

2014       Tumlir, Jan. "Angel of History, or Canary in the Coal Mine", X-TRA, Fall 2014

                Knight, Christopher. "Miles Coolidge Digs for Meaning", Los Angeles Times, January 31, 2014

                Harcourt, Glenn. "Miles Coolidge at ACME./Los Angeles”, March 2014 (illustration)

                Hudson, Suzanne. "From Landscape to Lacan; On 'The Symbolic Landscape: Pictures Beyond the        Picturesque'", Texte Zur Kunst, March 2014

2011       Knight, Christopher. "Monuments to a Modern Blueprint", Los Angeles Times, June 10 2011

                (illustration)

2010       Storm, Brian.  "Familie Becher", Kraut: Magazin Für Angewandte Kultur, pp. 18-19, Issue #1

2009       Coolidge, Miles. "Response to Abstracting Photography", Words Without Pictures, pp. 320-323, Alex Klein,

                ed., Museum Associates/LACMA, Los Angeles, 2009

2008       Knight, Christopher. "A Surprising Slant on Street Trash", Los Angeles Times, January 25 2008

2007       Valdez, Sarah. "Miles Coolidge at Casey Kaplan", Art in America, October 2007

                Shier, Reid (ed.), Been Up So Long it Looks Like Down to Me [Exhibition Catalogue],                                                                             Presentation House Gallery, North Vancouver, B.C. (color illustrations)

                Kung, Samuel (ed.), Art In America Now [Exhibition Catalogue], Museum of Contemporary Art,                                                           Shanghai (color illustration)

                Coggins, David. "Miles Coolidge", Time Out New York, February 8-14, 2007, Issue 593, p.76

                Chernisheva, Veronika. "Contemporary Art is Gradually Becoming Apolitical", Nezavisimaya                                                                Gazeta [The Independent Newspaper, Moscow], June 1, 2007.

                Lindberg, Anna. "Winter Depression," Utro, Moscow, June 6, 2007.

2006       Schmidt, Collette M., "Zuert vermisst der Künstler den Raum", Der Standard, Wien, 11. Juli 2006

                Titz, Walter. "Idyll und Bittere Fallstudie", Kleine Zeitung, Wien, 7 August 2006

O’Reilly, Sally, “Studio City,” Frieze, Issue 100, June-July, 2006.

Sumpter, Helen. "Studio City", Time Out (London), March 29- April 5, 2006

2005       [editorial:staff]. “An Uplift in Downtime”, Newsday, August 28, 2005

2004       Coetzee, Mark. Not Afraid: The Rubell Family Collection, Phaidon (color

                                illustrations)

Cotton, Charlotte. Contemporary Art Photography , Thames &

                                Hudson (color illustration)

                Collins, Tom. "Edifice Complex", Albaquerque Journal, January 16 (illustrations)

                Lubbke-Tidow, Maren. "Dead End: Miles Coolidge", Camera Austria, June, 2004

                                (color illustration)

                Randall, Teri Thomson. "Mounds of Time", Pasatiempo [Santa Fe, NM],

Jan. 30-Feb. 5, (color illustrations)

2003       Dennison, Lisa, Spector, Nancy, Young, Joan. Moving Pictures (catalogue;

                                color illustrations)

                Dennison, Lisa, Spector, Nancy, Young, Joan. Imagenes En Movimiento

(catalogue supplement, color illustrations)

                McGinty, Miko. Imperfect Innocence (catalogue; color illustrations)

Fenz, Werner. SIGHTSEEING, Graz, Austria (catalogue; color illustrations)

Coolidge, Miles "Hauptplatz Graz", Kleine Zeitung [Graz, Austria], Monday,

                                January 20 (artwork for publication)

                Beshty, Walead. "Notes on the Subject Without Qualities", Afterall #8

                Knight, Christopher, "Stopped in the Face of Progress", Los Angeles Times,

                                October 3, 2003 (illustration)

                Wilson, Michael. "Reviews. Miles Coolidge: Drawbridges", Contemporary, Issue

                                49 (color illustration)

            Cassidy, Keith. "Airport Landscapes", Miami Herald, March 19

                Colombo, Paola. "sight.seeing", tema celeste [Italy], January

                Titz, Walter. "Andere Wege durch die Kulturhaupstadt", VIA (Austria), #1

(color illustration)

Sver, Heimo. "Ansichten von Stadt- und Kunstorpern", Die Steirische (Graz,

                Austria), January 25 (color illustration)

2002       Kertess, Klaus. Photography Transformed; The Metropolitan Bank and Trust

                                Collection, Abrams, (color illustration)

                Martin, Victoria. “’Global Address’ at USC Fisher Gallery”, Artweek, April

                Steinman, Eric. "Think Globally, Art Locally", Los Angeles Downtown News,

                                March 18

                Museum of Contemporary Art, Chicago. Out of Place (catalogue; color illustrations)

2001       Rottner, Nadja. "Miles Coolidge", Camera Austria, 76 (critical survey, color

                                illustrations)

                Seelig, Thomas (ed.). Trade (catalogue: color illustrations)

                Lapp, Karl-Iversen. "Und alles endet im Mull", Zurichsee Zeitung, July 3

            Colpitt, Frances. "Miles Coolidge at Acme", Art in America, October

                Rehm, Emma. "Not a Theme Show", The Tartan [Pittsburgh], August 27

                Thomas, Mary. "No theme, nothing routine", Pittsburgh Post-Gazette, June 30

                Winn, Alice. "Mind Over Matter", A & E; Pittsburgh City Paper, August 1- 8

                Kern, Kristine. "Kritisk Kunst", Politiken (Denmark), March 31

                Kern, Kristine. "New Settlements", Nordic Art Review, vol. III, no. 3-4/01

                Misfeldt, Af Mai. "Nye mader at bebo verden", Berlingske Tidende, April 10

                News: Copenhagen. "New Settlements @ the Nikolaj", Flash Art, May-June, 2001 (illustration)

                Laird, Tessa. "Flight Patterns", LIKE, Art Magazine (New Zealand), No. 14,

Autumn

                Hilger, Stephen. "L.A. Confidential", artnet magazine (on line), 4/30

2000       Emerson, Stephanie (ed.). Flight Patterns (catalogue; color illustrations)

                Friends of Photography, beyond boundaries (catalogue; color illustration)

Ursula Blickle Stiftung, escape_space (catalogue; color illustrations)

Gavlak, Sarah. "Miles Coolidge, 'Mattawa'", Time Out, New York, October 5-12

Coolidge, Miles (photographs) & Beachy, Stephen (text). "Leaving Trains",

                Nest, Summer

            Rottner, Nadja. "Miles Coolidge", NY ARTS, September

                Guerrin, Michel. "La photographie déplace le fiction", Le Monde, March 26

                Pagel, David. "'Flight Patterns'" Ventures Far", Los Angeles Times, November 23

                                (illustration)

                Myers, Holly. "Horizons", LA Weekly, Dec. 22-28

                Exley, Roy. "Distant Landscapes", contemporary visual arts, issue 27 (illustration)

                Johnson, Ken. "Art Guide: Miles Coolidge", New York Times, September 29

                Bonnetti, David. "Dark views of battered landscape in L.A. show", San Francisco

                                Examiner, November 16

                Muchnic, Suzanne. "She's Trying to Reorient L.A.'s Compass", Los Angeles Times;

                                Calender, November 12

                [staff], "Pacific Rim Artists", American Minority Review, Fall 2000

                Barroero, Samantha "Miles Coolidge at Jennifer Flay Gallery", NART Webzine,

                                September 11

1999       ZOO, Purple House Ltd., London, England, issue 1, March

                CAA foundation, Themes Out of School (catalogue; color illustration)

                Aigner, Karl (ed.), Tomorrow For Ever, (catalogue; color illustrations)

                Molesworth, Helen. "Nowheresville", Frieze, January/February (critical survey,

                                color illustrations)

                Stills: Emerging Photography in the 1990’s, Walker Art Center, Minneapolis,

                                MN (catalogue; illustration)

                Butler, Connie.  "West of Everything", Parkett, no. 57

                Koop, Stuart. “World Speak Dumb”, Art & Text, August-October 

            Hennessey, Deborah. “Art Lover’s Lost Highway”, Broadsheet, Vol. 26, No.2

                McGovern, Thomas.  "Riding the Beast", afterimage, July/August

           

                Newhall, Edith.  "Preview:  Art/Photography", New York, September 14   

                Patterson, Tom. "Micro to Macro", Winston-Salem Journal, Feb. 21

                Knight, Christopher. "Publicly Funded Art Rises to the Challenge", Los Angeles

                                Times, June 4

                Boxer, Sara. "The Guggenheim Sounds the Alarm", New York Times, March 19

                Gronert, Stefan. Grosse Illusionen,, Kunstmuseum Bonn p.16 (illustration)

1998       Institute of Contemporary Art, Sightings: New Photographic Art, London,

                                England .(catalogue)

                Darling, Michael. L.A. or Lilliput? (catalogue; color illustration)

                Aldrich Museum of Art, pop surrealism (catalogue: color illustration)

                Haines, Gordon. "Miles Coolidge", Art Issues, November/December (illustration)

            Smith, Roberta. "Miles Coolidge", The New York Times, September 18

            Pagel, David. "The Long View", The Los Angeles Times, September 11

                Todd-Raque, Susan. "Tableaux: Ten Contemporary Photographers", Art Papers,

                                March-April

                Currah, Mark. "'Campaign Against Living Miserably", Time Out [London], May 13

                Fogle, Douglas.  "Stills", Camera Austria, no. 62/63

                Updike, Robin. "Beyond Pretty Scenery", Seattle Times, January 15

                Baltin, Brian. "Small Is Psychedelic", LA Weekly, Nov. 27- Dec. 3

                Doove, Edith. "Personlijkheid zonder mensen", De Staandard (Antwerp, Belgium),

April 1

                Holthof, Marc. "onwezenlijk", Weekend knack, (Brussels, Belgium) March 25

                Vuegen, Christine. "Onthullende fotos", De Huisarts (Belgium), March 18

                Wilson, William. "'Lilliput': Small Art in the Big City of L.A.", Los Angeles Times,

Dec.

                Wilson, William. "Sweating the Small Stuff", Los Angeles Times (O.C. edition),

Dec. (illustration)

1997       Magnan, Kathleen. “Space Probes”, World Art, May (critical survey, color

                                illustrations)

                Kim, Soo Jin. “Some Models”, X-Tra, Spring

                Solin, Alison Lee. "The Lie of the Land", The Independent [Santa Barbara], January

                                9 (illustration)

                Shearing, Graham. "Exhibit takes viewers 'Elsewhere'", Tribune-Review

[Pittsburgh], Oct. 17

                Miller, Donald. "Models create another reality", Pittsburgh Post-Gazette, Oct. 17

                Hennessey, Deborah.  "Art Lover's Lost Highway", Broadsheet, vol. 26, no. 2

1996       Coolidge, Miles. "Central Valley,” Art & Design #51: Art and the Home, London,

England, November (artwork for publication)

                Shales, Ezra, “Miles Coolidge at Casey Kaplan”, Review, December 1

                Cash, Stephanie. “Miles Coolidge at Casey M. Kaplan”, Art in America, October

            Darling, Michael. “Miles Coolidge.”Art Issues, March/April

            Wilk, Deborah. “Reviews: Left of Center.”New Art Examiner, March

                Aletti, Vince. “Deep House.” Village Voice, March 19    

                Camper, Fred. “Seeing is Deceiving.”Chicago Reader, February 9

                Auerbach, Lisa. “Safety in Pictures.”Los Angeles Reader, January 19

                [staff], "La-La Land", The New Yorker, Feb. 17

                Connelly, John. "Miles Coolidge", THINGREVIEWS, February 29

                Servetar, Stuart. "Galleries Downtown", New York Press, February 21-27

                Zoon, Cees. "New York", de Volkskrant [Amsterdam], March 1

                Stein, Lisa "Ten In One Gallery", Chicago's New City, February 18

                Young, Peter. "Parking Structuralism", Buzz Weekly, Sept.13-Sept. 19

                Scarborough, James. "New Art From Los Angeles", artpress, April

1988       The Affordable Housing Challenge (with Ann Gelbspan), Boston Society of

                                Architects, Boston MA

                                

 

Collections:

 

Institutional:          Metropolitan Museum of Art, New York, NY

                                Albright-Knox Museum, Buffalo, NY

                                San Francisco Museum of Modern Art

                                Solomon R. Guggenheim Museum, New York, NY

                                Whitney Museum, New York, NY

                                Baltimore Museum of Art

                                Orange County Museum of Art, Newport Beach, California

                                Lannan Foundation, Santa Fe, New Mexico

                                Los Angeles County Museum of Art

                                Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS

                                Museum of Contemporary Art, Los Angeles

                                Henry Art Gallery, Seattle, WA

                                Art Gallery of New South Wales, Sydney, Australia

                        Pérez Art Museum Miami, Miami, FL

                                Weatherspoon Art Museum, Greensboro, NC

                                Santa Barbara Museum of Art, Santa Barbara, CA

Title: 
Professor of Art
Degree: 
MFA, California Institute of the Arts
Specialization: 
Photography
E-mail: 
mcoolidg@uci.edu